After a year with no full-time director, AFI Docs hired Michael Lumpkin, who arrives at a key time: The festival recently shifted most screenings from Silver Spring to DC, with more documentaries chosen for their potential impact on policymakers. But it’s not just about targeting wonks. “You have to know your audience,” he says.
Formerly known as Silverdocs, this festival sponsored by the American Film Institute puts socially conscious documentaries in front of policymakers who might even do something about the subjects. After-parties, which have drawn the likes of Spike Lee and Al Gore, don’t actually require a hipster beard or a PhD for admission; the only must-haves are the festival’s app and a good pair of walking shoes for venue-hopping. Insider perk: Become a film screener (or volunteer) and attend for free.
When: June 17 through 21.
Where: Six screens in Penn Quarter, three at the AFI Silver Theatre and Cultural Center in Silver Spring.
Bragging rights: Taxi to the Dark Side, Man on Wire, Searching for Sugar Man.
Cherry blossoms weren't the only attraction in Washington this weekend. About 8,000 people attended Holi DC, a Hindu festival in Potomac celebrating the start of spring. On Saturday and Sunday, festival-goers participated in "rainbow throws," which involved throwing vibrant powders at one another and covering themselves in patches of color. There was vegetarian food, music by kirtan musician Gaura Vani, and lots and lots of laundry to be done. Here's a peek into what you may have missed this year.
FREE ADMISSION FOR ALL - Register now at www.holidc.comPosted by Holi DC on Sunday, February 15, 2015
March offers several film festivals, encompassing everything from internationally acclaimed documentaries to locally produced shorts. Here are four to keep on your radar:
This year's festival goes on thanks in part to a $15,000 contribution from the National Endowment for the Arts. More than 150 films, including several DC, US, and world premieres, examine climate change, endangered wildlife, clean-water issues, and related topics. A highlight: Filmmaker Luc Jacquet presents a survey of his films, including the Oscar-winning March of the Penguins and Ice & Sky, a new work. March 17-29; selected films $10 to $12, others free.
Opening night, Theater J; other screenings, Angelika Mosaic
See 16 contemporary films focused around the Jewish faith or made by Israeli artists. Top picks include The Green Prince, a thriller based on the memoir of Mosab Hassan Yousef, a Palestinian who spied for Israel; Arlo & Julie, a quirky tale of a couple who become obsessed with the mysterious daily delivery of puzzle pieces to their doorstep; and Above and Beyond, about the early days of the Israeli Air Force. March 19-29; $12; festival pass $64.
Filmmakers from the Washington area will be around to answer questions after their five short films at this festival, making it an excellent chance to familiarize yourself with local talent. Be sure to catch The Stillbrave 100, which chronicles Springfield runner "Tattoo" Tom Mitchell as he completes a 100-mile trail, dedicating each mile to a different child with cancer. March 20-21; $10.
Catch 70 documentaries, narratives, and shorts, plus Q&As and panel discussions. Don't miss the searing Oscar-nominated documentary The Act of Killing, in which members of an Indonesian death squad reenact the murders they committed. March 26-29; $12; festival pass $105.
The Sweetlife Festival will be held on May 30 and 31 at Merriweather Post Pavilion. Tickets for the festival went on sale Friday morning, so if you’re interested in seeing Kendrick Lamar, Calvin Harris, the Weeknd, Pixies, Charli XCX, Billy Idol, or Phantogram, and you have $175-$350 handy, you'd better buy your tickets now.
This is the sixth year of the festival, which will feature two headliners per day on the mainstage. There is also a slew of local musicians playing, including Sun Club, GoldLink, and the Walking Sticks.
Sweetgreen puts on the festival, and there will be plenty of interesting food, including food trucks and eats from culinary partners including Toki Underground's Erik Bruner-Yang, José Andrés, and DGS Delicatessan's Nick Wiseman.
For two years, Inertia Dolce, the red-wigged alter ego of 28-year-old William Dennis, has been the runner to beat in DC’s annual High Heel Race, last year finishing the three-block hoof down Dupont Circle’s 17th Street in 49 seconds. Dolce—who, as Dennis, is general manager of the Dupont brunch spot Level One—competes for a third straight title on October 28. A former Division 1 cross-country and track-and-field runner at the University of North Carolina Wilmington, Dennis was born fast, but he gave us a few tips anyone can use.
Pick function over style.
“A common mistake is that people wear a regular high heel,” says Dennis, who sports calf-high boots—albeit with five-inch heels—to support his ankles. “You don’t have to worry about it flying off or buckling.”
Walk the course.
Before race day, he advises, “walk up and down the bike lane of 17th Street. That’ll give you a feel of the ground.” Scope out the manholes—like the one outside Floriana restaurant—and small cracks that can prove treacherous.
Duct-tape your soles.
“Putting duct tape down there helps keep you from slipping.” Especially when wet—the race goes on, rain or shine.
“Make sure they’re thick enough that your foot’s not sliding up and down.” Dennis wears athletic socks over nylons, topped with an ankle brace to keep his foot “as stable as possible.”
Have a cocktail.
With all the pre-parties and celebrations, you’ll spend a few hours in heels: Dull the pain with a cosmo or two.
Watch out for saboteurs.
“Last year, these four competitors come up and say, ‘You’re not going to win this year.’ So they stand in front of me, and as I’m taking off, one of them elbows me in the chest!”
Dominate with grace.
Dennis plans to retire if he wins again. “Some people are like, ‘You can’t win again. It’s not fair.’ ” But for this year, he says, “it’s still a race—I’m going to go for it.”
See photos from this year's race, and find out who won, in our earlier post.
This article appears in the October 2014 issue of Washingtonian.
This has been a rocky year for local music festivals. First the summertime-staple Fort Reno concerts were canceled—though thankfully organizers managed to get them reinstated. Now comes word that the annual Virgin Mobile FreeFest, held in the fall at Merriweather Post Pavilion, has also been nixed.
Says Seth Hurwitz, chair of I.M.P. (which owns Merriweather) and one of the producers of FreeFest: “The Freefest was this fantastic product of a crossroads of Branson and some very creative people at Virgin. The mixture got shaken up every year, and it always settled at the last possible moment for that year. That was part of the spontaneous magic that everyone could pick up on I think. Unfortunately, the pieces are not all there right now with Virgin. Whether they are again who knows. But the Freefest concept is fantastic and we are exploring options to continue it at Merriweather.”
So what does that mean? We’re not really sure. We’ve reached out to Virgin Mobile for (hopefully less-vague) comment, and will update when we hear back. In the meantime, we’ll be pouring one out for the event, which since 2009 has been giving Washingtonians the chance to see big-name acts (which last year included Vampire Weekend, MGMT, and Icona Pop) for a price even cash-strapped college students could afford—that is, free.
Find Tanya Pai on Twitter at @tanyapai.
Capital Fringe announced Tuesday it has finalized a deal to purchase 1358 and 1360 Florida Avenue, Northeast, which currently houses the Connersmith Art Gallery and the headquarters of the (e)merge art fair. The performing-arts-focused nonprofit has been in the District since 2005, but its fate in town has been up in the air recently, as its home at Fort Fringe (607 New York Avenue, Northwest) is slated for redevelopment.
Capital Fringe’s new home will feature “three black-box theaters, a scene shop, art gallery/event space and a beer garden,” according to a press release. It will house both the year-round training factory and performances in the Capital Fringe Festival, though the switch won’t take place in time for this year’s event, coming up July 10 through 27. “We still have quite a bit of fundraising ahead of us, but we are enthusiastic at the potential of what this space will become and the cultural influence it will have on the city,” says Peter Korbel, Capital Fringe’s COO.
Connersmith and (e)merge, meanwhile, are looking for a new home. The final hurrah in the Florida Avenue space will be a pre-party for (e)merge on July 12 and the annual student art show Academy 2014, happening July 12 through August 9.
On Wednesday, the AFI Docs film festival announced its full slate of 84 films, screening June 18 through 22 at AFI Silver Theatre and various locations around DC. The selection includes four world premieres (including the opening-night film Holbrook/Twain: An American Odyssey), as well as four Catalyst Screenings, featuring post-film panel discussions with filmmakers, experts, and policymakers.
Several of this year’s films have local connections. The world premiere How I Got Over tells the story of 15 formerly homeless women from DC’s N Street Village center for addiction recovery who together create an original play based on their stories to be performed onstage at the Kennedy Center. Bronx Obama follows Louis Ortiz, an unemployed single father from the Bronx who began to get noticed in 2008 for his resemblance to then-presidential hopeful Barack Obama and launched a career as a professional look-alike. Art and Craft looks at the case of Norfolk, Virginia, native and diagnosed schizophrenic Mark Landis, who is one of the most skilled and prolific art forgers in American history—but doesn’t do it for the money. Marshall Curry’s Point and Shoot, which took home the award for Best Documentary Feature from this year’s Tribeca Film Festival, tells the story of a young man from a Baltimore suburb whose quest for adventure leads him to join the 2011 revolutionary efforts in Libya. And What’s an Epi is a short film by 18-year-old Shelly Ortiz about the troubled upbringing of her father, Epi Ortiz, that appeared alongside that of 15 other young artists in the first White House Student Film Festival, held this April.
Featured as Catalyst Screenings are The Internet’s Own Boy (in its East Coast premiere), the story of internet wunderkind Aaron Swartz; Ivory Tower, which explores the mounting cost and burden of student loan debt; The Homestretch, a look at three homeless teens’ journeys through the Chicago public school system; and The Newburgh Sting, which delves into FBI anti-terror investigations and post-9/11 mistrust of the government. Other films cover topics ranging from a look at the trial of infamous Boston mobster Whitey Bulger ( Whitey: United States V. James J. Bulger); to Cary Bell’s Butterfly Girl, about a teenage girl dealing with an incurable skin disease; to Dinosaur 13, about the struggle between landowners and the federal government for custody of “Sue,” the largest and most complete T. rex skeleton ever found.
For the complete list of films, showtimes, and events, visit the AFI Docs website, and check back in with us for more coverage.
The second annual Future Is Here Festival beamed into DC this weekend, bringing with it speakers who bridged the worlds of science and science fiction. Coordinated by Smithsonian magazine, the three-day event featured appearances by George Takei and Patrick Stewart, who presented an exclusive preview screening of X-Men: Days of Future Past on Saturday night. But the real scientific heavy-hitters took center stage during a conference at the Ronald Reagan Building Saturday.
This year’s theme, “Science Meets Science Fiction,” invited the discussion of topics such as human evolution and space exploration. Michael Caruso, editor-in-chief of Smithsonian and chief organizer of the festival, kicked things off by pointing out how similar the two now are. “The world we live in now,” he said, “is a science-fiction world.” That is, one full of technologies that could only have been imagined by science-fiction writers.
Ten-minute TED-style talks characterized the remainder of the conference, grouped by themes that ranged from the future of humans to the futures of Earth, outer space, and deep space. In his discussion of the future of humans, headliner George Takei called the harmonious diversity of the original Star Trek a “metaphorical goal” for society.
Later highlights included presentations of Project Loon, a Google initiative that uses balloons to bring internet access to remote areas, and Revive & Restore, a nonprofit that employs genetic techniques to bring species back from extinction. Consumer-grade drones made their way into the auditorium for a demonstration, as did a device that delivers focused sound to a listener like a laser beam.
To round out the festivities, astronaut Mae Jemison—the first African-American woman in space—introduced 100 Year Starship, which is dedicated to achieving interstellar flight in the next century. NASA’s lead Mars-rover engineer Adam Steltzner said: “I look forward to human footprints on the surface of Mars in my lifetime.” And MIT’s Sara Seager unveiled a component of her Starshade spacecraft, which will help NASA find Earth-like planets in other solar systems.
The Saturday conference concluded with a live jet-pack demonstration in the atrium of the Reagan building. The pilot, suited up like a Nascar driver, flew from the second floor to the center of the atrium and back, remaining airborne for about 30 seconds.
All told, the weekend drew some 500 attendees, many of them regular participants in Nerd Nite—a monthly gathering affectionately called “the Discovery Channel with beer,” held in more than 75 cities worldwide. A partnership with Future is Here allowed the organization to present its second annual Nerd Nite Global Fest on Sunday, convening presenters on bird parasitism, pneumatic-tube systems, and Godzilla, among other subjects. As Eric Moon, a Nerd Niter from Ontario put it: “Being a nerd doesn’t mean being interested in any one thing; it’s about being curious.”
In that spirit of boundless curiosity, presentations at the Future Is Here Festival steered clear of the dangerous potential of technologies such as drones, genetic engineering, and robotics. “We’re techno-optimists,” Caruso said by way of explanation. “It’s not that there aren’t questions, dark possibilities, dystopic possibilities even. That all should be debated. But this was more a forum for presenting these great, cool, interesting ideas.”