Chuck Brown’s first Grammy nomination, announced yesterday, for his collaboration with Jill Scott on “Love,” was a long time coming. Brown, a jazz guitarist and singer who has been performing since the 1960s, is one of the most important figures in Washington’s go-go scene, a variation of funk that’s indigenous to DC. “Love” is a good song, a conversation between Brown and Scott with a bright throwback horn section:
But if Brown is going to get an it’s-about-damn-time golden gramophone, I wish the voters could go back and honor him for the 1978 track “Bustin’ Loose (Part 1),” a song that’s made its way both into hip-hop’s vocabulary and Washington culture. The song itself isn’t terribly high-concept: It’s really just a party track, a call to “gimme the beat, y’all.” By that measure, though, it excels: The chanted choruses are in perfect syncopation for foot-stomping, the horns for hip-swinging:“Bustin’ Loose” has had surprising resonance. In 1990, Eric B. and Rakim sampled the song for “Eric B. Made My Day,” scratching records over the horn section:Four years later, Public Enemy sampled the track for “I Ain’t Mad at All” and turned “Bustin’ Loose” from a party reference into a wish to break out of police custody:
In 2002, Nelly borrowed from “Bustin’ Loose” for “Hot in Herre,” turning the song back to its party roots, declaring, “I feel like bustin’ loose / And I feel like touching you,” a sweet line in a debauched, silly track:
And when the Nationals came back to Washington, they put songs for key game moments up to a vote. More than 11,000 people weighed in and picked “Bustin’ Loose” as the home team’s home-run music.
Maybe with that legacy, members of the National Academy of Recording Arts and Sciences will consider “Bustin’ Loose” for a Grammy Hall of Fame Award, a special prize for recordings of lasting significance that are at least 25 years old. If not, Washington will do what the city has always done: recognize the value of go-go even when no one else does.
The Godfather Goes to the Grammys
Chuck Brown finally gets a nomination, but only by collaborating with Jill Scott
Chuck Brown’s first Grammy nomination, announced yesterday, for his collaboration with Jill Scott on “Love,” was a long time coming. Brown, a jazz guitarist and singer who has been performing since the 1960s, is one of the most important figures in Washington’s go-go scene, a variation of funk that’s indigenous to DC. “Love” is a good song, a conversation between Brown and Scott with a bright throwback horn section:
But if Brown is going to get an it’s-about-damn-time golden gramophone, I wish the voters could go back and honor him for the 1978 track “Bustin’ Loose (Part 1),” a song that’s made its way both into hip-hop’s vocabulary and Washington culture. The song itself isn’t terribly high-concept: It’s really just a party track, a call to “gimme the beat, y’all.” By that measure, though, it excels: The chanted choruses are in perfect syncopation for foot-stomping, the horns for hip-swinging:“Bustin’ Loose” has had surprising resonance. In 1990, Eric B. and Rakim sampled the song for “Eric B. Made My Day,” scratching records over the horn section:Four years later, Public Enemy sampled the track for “I Ain’t Mad at All” and turned “Bustin’ Loose” from a party reference into a wish to break out of police custody:
In 2002, Nelly borrowed from “Bustin’ Loose” for “Hot in Herre,” turning the song back to its party roots, declaring, “I feel like bustin’ loose / And I feel like touching you,” a sweet line in a debauched, silly track:
And when the Nationals came back to Washington, they put songs for key game moments up to a vote. More than 11,000 people weighed in and picked “Bustin’ Loose” as the home team’s home-run music.
Maybe with that legacy, members of the National Academy of Recording Arts and Sciences will consider “Bustin’ Loose” for a Grammy Hall of Fame Award, a special prize for recordings of lasting significance that are at least 25 years old. If not, Washington will do what the city has always done: recognize the value of go-go even when no one else does.
Subscribe to Washingtonian
Follow Washingtonian on Twitter
More>> Capital Comment Blog | News & Politics | Party Photos
Most Popular in News & Politics
Every Bus Line in DC Is Changing This Weekend. Here’s What to Know.
Yet Another Anti-Trump Statue Has Shown Up on the National Mall
8 Takeaways From Usha Vance’s Interview With Meghan McCain
What to Know About the Dupont Circle “Deckover” Project
Bans on Underage Vaping, Swastika Graffiti, Synthetic Dyes: New Virginia Laws Go Into Effect in July
Washingtonian Magazine
July Issue: The "Best Of" Issue
View IssueSubscribe
Follow Us on Social
Follow Us on Social
Related
How Would a New DC Stadium Compare to the Last One?
The Culture of Lacrosse Is More Complex Than People Think
Did Television Begin in Dupont Circle?
Kings Dominion’s Wild New Coaster Takes Flight in Virginia
More from News & Politics
The “World’s Largest Outdoor Museum” Is Coming to DC. Here’s a Preview.
A Cult Classic of Cannabis Brands Is Making Its DC Debut
The Commanders Wine and Dine DC Council Members; GOP Senator Suggests Tax Language Was “Airdropped” Into Spending Bill; and Trump Wants DOGE to Investigate Musk
100 Reasons to Love DC Right Now
How DC’s Attorney General Got So Good at Double Dutch
DC Council Ponders New Way to Expel Trayon White, the GOP’s Budget Bill Advances, and We Found You Some Tacos With Ethiopian Flair
For DNC Chair Ken Martin, the Big Beautiful Bill Is Personal
Every Bus Line in DC Is Changing This Weekend. Here’s What to Know.