Chuck Brown’s first Grammy nomination, announced yesterday, for his collaboration with Jill Scott on “Love,” was a long time coming. Brown, a jazz guitarist and singer who has been performing since the 1960s, is one of the most important figures in Washington’s go-go scene, a variation of funk that’s indigenous to DC. “Love” is a good song, a conversation between Brown and Scott with a bright throwback horn section:
But if Brown is going to get an it’s-about-damn-time golden gramophone, I wish the voters could go back and honor him for the 1978 track “Bustin’ Loose (Part 1),” a song that’s made its way both into hip-hop’s vocabulary and Washington culture. The song itself isn’t terribly high-concept: It’s really just a party track, a call to “gimme the beat, y’all.” By that measure, though, it excels: The chanted choruses are in perfect syncopation for foot-stomping, the horns for hip-swinging:“Bustin’ Loose” has had surprising resonance. In 1990, Eric B. and Rakim sampled the song for “Eric B. Made My Day,” scratching records over the horn section:Four years later, Public Enemy sampled the track for “I Ain’t Mad at All” and turned “Bustin’ Loose” from a party reference into a wish to break out of police custody:
In 2002, Nelly borrowed from “Bustin’ Loose” for “Hot in Herre,” turning the song back to its party roots, declaring, “I feel like bustin’ loose / And I feel like touching you,” a sweet line in a debauched, silly track:
And when the Nationals came back to Washington, they put songs for key game moments up to a vote. More than 11,000 people weighed in and picked “Bustin’ Loose” as the home team’s home-run music.
Maybe with that legacy, members of the National Academy of Recording Arts and Sciences will consider “Bustin’ Loose” for a Grammy Hall of Fame Award, a special prize for recordings of lasting significance that are at least 25 years old. If not, Washington will do what the city has always done: recognize the value of go-go even when no one else does.
The Godfather Goes to the Grammys
Chuck Brown finally gets a nomination, but only by collaborating with Jill Scott
Chuck Brown’s first Grammy nomination, announced yesterday, for his collaboration with Jill Scott on “Love,” was a long time coming. Brown, a jazz guitarist and singer who has been performing since the 1960s, is one of the most important figures in Washington’s go-go scene, a variation of funk that’s indigenous to DC. “Love” is a good song, a conversation between Brown and Scott with a bright throwback horn section:
But if Brown is going to get an it’s-about-damn-time golden gramophone, I wish the voters could go back and honor him for the 1978 track “Bustin’ Loose (Part 1),” a song that’s made its way both into hip-hop’s vocabulary and Washington culture. The song itself isn’t terribly high-concept: It’s really just a party track, a call to “gimme the beat, y’all.” By that measure, though, it excels: The chanted choruses are in perfect syncopation for foot-stomping, the horns for hip-swinging:“Bustin’ Loose” has had surprising resonance. In 1990, Eric B. and Rakim sampled the song for “Eric B. Made My Day,” scratching records over the horn section:Four years later, Public Enemy sampled the track for “I Ain’t Mad at All” and turned “Bustin’ Loose” from a party reference into a wish to break out of police custody:
In 2002, Nelly borrowed from “Bustin’ Loose” for “Hot in Herre,” turning the song back to its party roots, declaring, “I feel like bustin’ loose / And I feel like touching you,” a sweet line in a debauched, silly track:
And when the Nationals came back to Washington, they put songs for key game moments up to a vote. More than 11,000 people weighed in and picked “Bustin’ Loose” as the home team’s home-run music.
Maybe with that legacy, members of the National Academy of Recording Arts and Sciences will consider “Bustin’ Loose” for a Grammy Hall of Fame Award, a special prize for recordings of lasting significance that are at least 25 years old. If not, Washington will do what the city has always done: recognize the value of go-go even when no one else does.
Subscribe to Washingtonian
Follow Washingtonian on Twitter
More>> Capital Comment Blog | News & Politics | Party Photos
Most Popular in News & Politics
Most Powerful Women in Washington 2025
Trump’s Shutdown Antics Vex Republicans, Ireland Hopes to Sell Its DC Embassy, and Renaissance Festival Sues Most Foul Varlets
Abigail Spanberger and the Virginia Governor Race: Can “Boring” Politics Win?
Washington DC’s 500 Most Influential People of 2025
IRS Tells Furloughed Feds They’ll Get Back Pay After Trump Says They Might Not, Trump Lands a Big Peace Deal, and Publix Is Coming to NoVa
Washingtonian Magazine
October Issue: Most Powerful Women
View IssueSubscribe
Follow Us on Social
Follow Us on Social
Related
Want to Live in a DC Firehouse?
DC Punk Explored in Three New History Books
The Local Group Fighting to Keep Virginia’s Space Shuttle
Alexandria’s “Fancy Pigeon” Has a New Home
More from News & Politics
Eduardo Peñalver Will Be Georgetown University’s 49th President
Cheryl Hines Suddenly Has a Lot to Say About RFK Jr. and MAGA
Shutdown Hits Two-Week Mark, House Speaker Feels Threatened by Naked Cyclists, and Big Balls’ Attackers Get Probation
Anti-Trump Encampment Returns to Union Station After Bizarre Permit Revocation Saga
White House Signals Very Long Shutdown, Commanders Game Ends in Heartbreak, and Betting Markets Sour on Jay Jones
DC Singer Kenny Iko Is Turning Heads on “The Voice”
Trump Lays Off Thousands, Blames Shutdown; Ed Martin Spitter Won’t Go to Prison; Jimmy Kimmel Sponsors Georgetown Player
New Anacostia Market Is a Dream Come True for Community