Playwright Hilary Bettis (previously a writer on The Americans) reimagines a 130-year-old August Strindberg play, Miss Julie, in modern-day Miami. In the original—which was banned in Sweden for its frank sex talk—a count’s daughter hooks up with a servant. Here, the examination of class and privilege plays out around Art Basel and a South Beach hotel.

Playwright Hilary Bettis (previously a writer on The Americans) reimagines a 130-year-old August Strindberg play, Miss Julie, in modern-day Miami. In the original—which was banned in Sweden for its frank sex talk—a count’s daughter hooks up with a servant. Here, the examination of class and privilege plays out around Art Basel and a South Beach hotel.

Playwright Hilary Bettis (previously a writer on The Americans) reimagines a 130-year-old August Strindberg play, Miss Julie, in modern-day Miami. In the original—which was banned in Sweden for its frank sex talk—a count’s daughter hooks up with a servant. Here, the examination of class and privilege plays out around Art Basel and a South Beach hotel.

Playwright Hilary Bettis (previously a writer on The Americans) reimagines a 130-year-old August Strindberg play, Miss Julie, in modern-day Miami. In the original—which was banned in Sweden for its frank sex talk—a count’s daughter hooks up with a servant. Here, the examination of class and privilege plays out around Art Basel and a South Beach hotel.

Playwright Hilary Bettis (previously a writer on The Americans) reimagines a 130-year-old August Strindberg play, Miss Julie, in modern-day Miami. In the original—which was banned in Sweden for its frank sex talk—a count’s daughter hooks up with a servant. Here, the examination of class and privilege plays out around Art Basel and a South Beach hotel.

Playwright Hilary Bettis (previously a writer on The Americans) reimagines a 130-year-old August Strindberg play, Miss Julie, in modern-day Miami. In the original—which was banned in Sweden for its frank sex talk—a count’s daughter hooks up with a servant. Here, the examination of class and privilege plays out around Art Basel and a South Beach hotel.

Playwright Hilary Bettis (previously a writer on The Americans) reimagines a 130-year-old August Strindberg play, Miss Julie, in modern-day Miami. In the original—which was banned in Sweden for its frank sex talk—a count’s daughter hooks up with a servant. Here, the examination of class and privilege plays out around Art Basel and a South Beach hotel.

Playwright Hilary Bettis (previously a writer on The Americans) reimagines a 130-year-old August Strindberg play, Miss Julie, in modern-day Miami. In the original—which was banned in Sweden for its frank sex talk—a count’s daughter hooks up with a servant. Here, the examination of class and privilege plays out around Art Basel and a South Beach hotel.

Playwright Hilary Bettis (previously a writer on The Americans) reimagines a 130-year-old August Strindberg play, Miss Julie, in modern-day Miami. In the original—which was banned in Sweden for its frank sex talk—a count’s daughter hooks up with a servant. Here, the examination of class and privilege plays out around Art Basel and a South Beach hotel.

Playwright Hilary Bettis (previously a writer on The Americans) reimagines a 130-year-old August Strindberg play, Miss Julie, in modern-day Miami. In the original—which was banned in Sweden for its frank sex talk—a count’s daughter hooks up with a servant. Here, the examination of class and privilege plays out around Art Basel and a South Beach hotel.

Playwright Hilary Bettis (previously a writer on The Americans) reimagines a 130-year-old August Strindberg play, Miss Julie, in modern-day Miami. In the original—which was banned in Sweden for its frank sex talk—a count’s daughter hooks up with a servant. Here, the examination of class and privilege plays out around Art Basel and a South Beach hotel.

Playwright Hilary Bettis (previously a writer on The Americans) reimagines a 130-year-old August Strindberg play, Miss Julie, in modern-day Miami. In the original—which was banned in Sweden for its frank sex talk—a count’s daughter hooks up with a servant. Here, the examination of class and privilege plays out around Art Basel and a South Beach hotel.

Playwright Hilary Bettis (previously a writer on The Americans) reimagines a 130-year-old August Strindberg play, Miss Julie, in modern-day Miami. In the original—which was banned in Sweden for its frank sex talk—a count’s daughter hooks up with a servant. Here, the examination of class and privilege plays out around Art Basel and a South Beach hotel.

Playwright Hilary Bettis (previously a writer on The Americans) reimagines a 130-year-old August Strindberg play, Miss Julie, in modern-day Miami. In the original—which was banned in Sweden for its frank sex talk—a count’s daughter hooks up with a servant. Here, the examination of class and privilege plays out around Art Basel and a South Beach hotel.