Washingtonian Bride & Groom Unveiled 2013

Carine takes a bow at the end of the runway show. Photograph by Rodney Bailey.
Editor Kate Bennett introduces the fashion portion of the day. Photograph by Rodney Bailey.
A gorgeous floral and butterfly display by the center bar. Photograph by Rodney Bailey.
Amaryllis created a fantasy floral wedding gown. Photograph by Rodney Bailey.
Chic black and white stripes from Events in the City. Photograph by Rodney Bailey.
A message of love at one of the bar areas. Photograph by Rodney Bailey.
Adorable custom pillowcases from Ritz-Carlton. Photograph by Cathy Merrill Williams.
Colorful flowers from Holly Heider Chapple. Photograph by Rodney Bailey.
A groom’s “throne” for a wedding celebration. Photograph by Rodney Bailey.
Fit-and-flare fashion at the Carine’s Bridal Atelier space. Photograph by Rodney Bailey.
A bar scene with hundreds of pink roses from Edge. Photograph by Rodney Bailey.
Elegance defined in a tablescape by Toulies en Fleur Floral Design. Photograph by Rodney Bailey.
Design and invitation options from Karson Butler Events. Photograph by Rodney Bailey.
The “Design Bar” inspiration table from Chicka Photograph by Rodney Bailey.
Simply Chic creates a rustic ode to spring decor. Photograph by Rodney Bailey.
The name card display “arbor” was a collaboration by Chicka and Edge. Photograph by Rodney Bailey.
Cake pops from Ridgewells Catering—need we say more? Photograph by Rodney Bailey.
The finale look from Marchesa during the winter-themed runway show. Photograph by Rodney Bailey.
Another look at the finale gown. Photograph by Rodney Bailey.
The hair and makeup vision came from Carine—who wanted wintry white masks of lace. Gorgeous. Photograph by Andrew Propp.
A cake on display featuring sugar sculpted flowers. Photograph by Andrew Propp.
Thinking pink with inspiration from Edge. Photograph by Andrew Propp.
A bar transformed with mod color patterns and flowers. Photograph by Andrew Propp.
One of the models takes a seat on Edge’s custom moss-covered swing. Photograph by Andrew Propp.

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