Gray. So neutral, it seems like a simple paint choice—until you realize just how many shades there are. Green-tinged grays. Blue-hued ones. Grays that turn lavender in dim light. Grays that most closely resemble a prison wall. And so on—the truth is, there are too many to count. So how do you pick the perfect one for your space? We checked in with two local pros for some expert guidance on how to select the right gray, for both inside and outside your home.
Designer Marika Meyer suggests starting out by considering what type of feel you want in your space. Do you want warm or cool? Is the room traditional or modern?
“Cooler shades of gray in eggshell and in a high-gloss finish exude a contemporary feel, while warmer gray tones in a flat finish provide a more traditional and transitional application,” she says. And don’t limit yourself to walls: “Gray looks great on walls, but also on ceilings and trim, and is a great color choice for furniture, such as a vintage midcentury-modern cocktail table in high-gloss gray that I recently purchased. It can be paired with a broad spectrum of accent colors.”
Ready to get started? Here are five of Meyer’s go-to hues:
From left: Benjamin Moore OC-52 Gray Owl; Farrow and Ball Hardwick White; Benjamin Moore OC-30 Gray Mist; Farrow and Ball Lamp Room Gray; Benjamin Moore 1548 Classic Gray.
Of course, painting isn’t reserved exclusively for your home’s rooms. Architect David Benton of Rill Architects offers this bit of advice on how to choose the right hue for your home’s facade: “Selecting grays for the exterior really depends on the style of the house. Darker grays work well for trim and door colors, while a lighter shade would work for the body of the exterior. Gray becomes a neutral where you can play up any trim or door color such as a bright green, red, or the blue we used on the front door of the DC Design House this year (C2 BD-24 Pond Shimmer). Red and gray is a classic combination.”
If you want a green undertone, Benton suggests such shades as the taupey Benjamin Moore Gloucester Sage or the lighter Revere Pewter, a versatile shade that works well for the body of a home, trim, or interiors. For trim, try Benjamin Moore Edgecomb Gray to impart a subtle historic vibe—versus the crisp newness of a bright white—or China White, an off-white with gray undertones. For accents, shutters, or the front door, go for a deep charcoal, such as the dark blue-toned Benjamin Moore Gravel Gray or the rich Iron Mountain.
From left: (All Benjamin Moore) HC-100 Gloucester Sage; DC-172 Revere Pewter; 2127-30 Gravel Gray; HC-173 Edgecomb Gray; 2134-30 Iron Mountain.
You Might Also Like:
Design Tips From the Pros: How to Choose the “Right” White Paint
Design Decoder: Recreate This Mondrian-Inspired Home
Annie Elliott of Bossy Color Tells Us Her Favorite Paint Pairs
This week’s waterfront house—a 140-year-old farmhouse in the Eastern Shore farming community of Trappe—offers a completely different vibe than our previous two modern designs. The owner enlisted Washington-based interior designer Kelley Proxmire to transform the place from a weekend and summer home into her full-time residence—and to help merge the heirloom furniture and accessories from her former Washington home into their new, more casual setting. Proxmire repurposed the inherited pieces into the new space in different ways and added a few of her signature touches, such as painted ceilings (high-gloss green in the bedroom, lighter green in the living area, and pale blue on the porch) and textured and patterned wallpapers. A palette of greens, oranges, and blues combine with playful signs to infuse a touch of cheerful charm to a relaxed, homey design. Take a virtual tour of the home in the slideshow.
When it comes to decorating woes, Potomac natives Lee Mayer and Emily Motayed have been there. Shortly after the sisters each moved into a new home—for Mayer, a house in Denver; for Motayed, a New York apartment—Mayer was lamenting that interior designers just weren’t interested in working with her. Her budget wasn’t big enough. They all charged huge fees, or expected her to shell out loads of cash for the goods to fulfill their decor plans. And, just like that, Havenly was born. “We realized there was an opening in the market for a business that made the process of decorating a lot easier,” says Mayer. The sisters launched the Web-based start-up in October, and the biz now counts five full-time employees.
Here’s how it works: First, you take a quick online survey detailing your style preferences. Based on that, you’re assigned to the Havenly designer best suited to your taste. You chat with them for a bit by phone to get on the same page about the project, then they dream up two custom design concepts for your space. After a round of feedback and revisions, you end up with a final room rendering, along with a list of products and prices (though the company has partnerships with selected stores, designers are free to source from anywhere). Want to buy what they suggest? Havenly will coordinate the entire buying process for you—all for a flat fee of $185.
Ready to see some of Havenly’s work in action? We snagged a handful of renderings from past projects. Check ’em out below.
It might be a bit chilly and more than a bit rainy outside, but that won’t keep us from daydreaming about seaside getaways. Helping things along on this dreary afternoon? This energy-efficient waterfront home on the Chesapeake Bay, which puts a sleek, modern spin on the traditional beach house. Architecture firm Meditch Murphey used autoclaved concrete to construct the home, a lightweight material that allows for mold and heat resistance, absorbs sound, and protects against water damage. The place was built with an eco-friendly design, incorporating geothermal heating and cross-ventilation cooling, solar-power roofing, and a planted green roof that’s meant to help with on-site storm drainage. All that—and it’s a pretty cool-looking, too. Click though the slideshow to take a virtual tour of this modern design.
For a renter, certain design trends and tips can seem woefully out of reach. How can you be expected to get excited about richly patterned wallpapers when your landlord won’t even let you paint? But just because you’re stuck in a standard-issue apartment doesn’t mean your place shouldn’t feel completely like you. We checked in with interior designers Kiera Kushlan and Jessica Centella of Residents Understood to get their expert advice on how to perk up a soulless space without making any irreparable changes. Ready to upgrade? See five ways to make it happen below.
1) Invest in lighting you love. Light fixtures in rentals are rarely anything better than blah, but most overheard light fixtures can easily be taken down and new ones installed in their place. (Just put the originals in storage and remember to put them back in when it’s time to move.)
Try: Tom Dixon's glossy copper orb pendant lamp.
2) Swap out the ho-hum cabinet hardware in your kitchen and bathroom for something more personal and playful. It’s a quick fix, but it’ll help make the place feel more like your own.
3) Remove all signs of plastic window treatments. “These are notorious for making a place feel uninviting and cold—removing or replacing these little devils is another way to instantly change the mood of an apartment,” the designers say. If the window treatments can’t be removed and stored, try covering them with fabric drapes.
4) So you’re not allowed to paint. No worries—products such as removable wallpaper and decals are becoming more widely available. Adding a fun decal, such as polka dots, or whimsical wallpaper to your home is a guaranteed way to add flair to any lackluster room.
5) Got ugly floors? Cover them up! This goes for anything from seen-better-days hardwood to boring commercial-grade carpet. A good area rug goes a long way in personalizing and softening up your space.
Don’t assume trim and woodwork have to be white
If you’re using a bold paper, Feldman suggests coordinating the room’s moldings, doors, and other accents with a color in the wallpaper. “The wallpaper will kind of bleed from top to bottom,” she explains.
Do embrace trends
“No one’s favorite color is beige,” Feldman says. “Have fun with paint and wallpaper that can be changed easily, and invest in furniture that’s more simple and classic.”
Don’t discount the ceiling
You can even paper only the ceiling. “You wouldn’t want a heavy pattern, but there are solid metallics that look like glazes, or amazing textures,” she says. Decorating a child’s room? Try stars.
Do be mindful of scale
Feldman loves a busy print in a small space: “It can create a cool jewel-box effect, where you feel ensconced in the paper.”
Don’t be too matchy-matchy
Choose furniture from a different era than the wallpaper style—and vice versa. If you like a traditional floral-print paper, try pairing it with simple, clean-lined furniture. Says Feldman: “Always be playing off the contrast so you’re never creating a themed or predictable room.”
This article appears in the April 2014 issue of Washingtonian.
Ah, spring. Though it’s not exactly delightful out today, sunnier times are ahead—and also tours. Lots of tours. The yearly deluge of neighborhood home and garden tours is about to hit full stride. Here’s a rundown of some of the area’s best bets.
Part of the Garden Club of Virginia’s Historic Garden Week, which opens more than 250 gardens and homes statewide, the Old Town-based walking tour visits five homes from the late 18th and early 19th centuries. The ticket price also includes admission to three other historic properties in the area: the Carlyle House Historic Park, the Lee-Fendall House Museum and Garden, and George Washington’s Mount Vernon Estate and Gardens. April 26, 10 to 4. $35 in advance, $40 day of. Alexandria Visitors Center, 221 King St., Alexandria.
This year’s tour through Prince George’s County—as part of the annual Maryland House & Garden Pilgrimage, which includes close to 50 private homes, gardens, farms, and historic sites in five counties—follows the Star-Spangled Banner National Historic Trail and Byway, with a focus on the War of 1812. The stops conclude with a visit to Darnell’s Chance, an 18th-century complex listed on the National Register of Historic Places. April 26, 10 to 5. $30 in advance, $35 day of. Patuxent Riverkeeper Center, 17412 Nottingham Rd., Upper Marlboro.
See inside nine Georgetown homes during this annual tour, now in its 83rd year. Tickets include an afternoon tea at Blake Hall at St. John’s Episcopal Church, which the tour proceeds benefit. April 26, 11 to 5. $50 in advance, $55 day of. St. John’s Episcopal Church, 3240 O St., NW.
Hosted by the Garden Club of Fairfax, this partial walking tour includes four homes and gardens in Vienna’s oldest neighborhood, Ayr Hill, and Meadowlark Botanical Gardens. April 29, 10 to 4. $25 in advance, $30 day of. Meadowlark Botanical Gardens, 9750 Meadowlark Gardens Ct., Vienna.
Check out the midcentury-modern homes of this award-winning Fairfax County neighborhood in a self-guided walking tour, which visits ten Charles Goodman-designed properties and three gardens. The tour kicks off with a morning lecture on modern architecture and Goodman’s other work. May 3, noon to 6. $25 in advance, $30 day of. Hollin Meadows Elementary School, 2310 Nordok Pl., Alexandria.
Dubbed the Spirit of Holly Avenue, this three-block tour takes visitors through the evolution of the neighborhood from the 1880s through post-World War II. May 4, 1 to 5. $18 in advance, $20 day of. 7064 Eastern Ave., NW.
For the 86th year, this tour visits nine of Georgetown’s best gardens, from high-tech modern affairs to woodsy fairy-tale versions. The tour includes an afternoon tea at Christ Church’s Keith Hall. May 10, 10 to 5. Christ Church, 31st and O sts., NW.
A biennial project presented by the Del Ray Citizens Association, this year’s tour includes homes ranging from a 1940s rowhouse to a green design that incorporates one of the neighborhood’s only in-ground pools. May 10, 11 to 5. $20 in advance, $25 after May 1. Del Ray Farmers Market, Mount Vernon and Oxford aves., Alexandria.
This is Capitol Hill’s largest and oldest fundraiser, now in its 57th year, and this year the tour highlights four Civil War-era frame houses—a departure from the neighborhood's more prevelant Victorian homes—and a garden that features a fully stocked koi pond. May 10, 4 to 7, and May 11, noon to 5. $25. Hill Center, 901 Pennsylvania Ave., SE.
Until just over a month ago, the home selected as this year’s DC Design House was not exactly in great shape. Yes, the 8,000-square-foot stone home—which was originally owned by Madison Hotel founder Marshall B. Coyne and remained in the family for six decades before its donation to the design benefit—is a grand estate, featuring much of its original 1929 architectural detailing, such as elegant crown molding, gracefully curving banisters, hardwood floors, and natural fieldstone in the kitchen. But good bones aside, this year’s selected home was in need of some major overhauls—including total renovations of six of its seven bathrooms. A few weeks later, it’s a completely different—and completely gorgeous—home, thanks to the 29 designers who reworked assigned spaces property-wide, from backyard landscaping to teensy closets. Some of the recurring aesthetic themes? Many of the designers took inspiration from the 1920s and ’30s, a nod to the home’s era, incorporating glam metallics, Lucite accents, and chinoiserie motifs. High-gloss paints, bold emerald, lime and aqua hues, and layered rugs pop up in several designer rooms, and we saw tons of mixing, whether texture, pattern, or design style.
Read on to see a handful of our favorite rooms from this year’s home, click through the slideshow to see 12 additional spaces, and then check out the complete project for yourself this weekend when it opens to the public for a month of tours. What’s more: On Friday, the showhouse is scheduled to list on the real-estate market for $3.85 million. Check listing brokerage McEnearney Associates on Friday for details.
DC Design House. Sunday through May 11. $25. Ticket proceeds benefit the Children’s National Health System.
Marika Meyer’s formal-meets-functional dining room is a lesson in pattern mixing, incorporating chinoiserie themes, Imperial Trellis upholstery, custom faux-malachite Parsons tables, and ikat china set atop cabbage-leaf chargers. Notes of gold, including a vintage 22-karat-gold-leaf chandelier and a gold serving cart, offset the distressed-walnut table and reworked vintage chairs.
Butler’s Pantry/Wine Room
In what was originally the butler’s pantry, Aidan Design’s Nadia N. Subaran reimagined the petite corridor as a wine room and entertaining space, installing dual Thermador wine columns and custom cabinetry built for stemware storage. The design elevates a traditional aesthetic, contrasting the lush navy-painted cabinets with modern brushed-brass hardware and stunning Calcutta-marble herringbone floors. Subaran transformed the kitchen as well, playing off a fieldstone wall with black soapstone, porcelain marble backspash and burnished cherry cabinets.
Perhaps one of the more obviously modern designs in the home, Akseizer Design Group’s pool-adjacent family room layers texture and netural tones for a space that fuses midcentury influences with organic glamour. A linear modern fireplace, hand-woven textured Thibaut wallpaper, layered hide and sisal rugs, and a vintage Alvar Aalto tank chair stand out as the room’s highlights.
If you’re the type who could spend hours mining an Ikea showroom for design inspiration, take note: The Swedish retailer has launched a traveling home-makeover program—and it’s headed our way.
Here’s the rundown: The brand has cherry-picked five experts from its 38 US stores—including Elizabeth Spencer, a graduate from Los Angeles’s Fashion Institute of Design and Merchandising, who hails from our very own Woodbridge store—to act as its team of design pros and go on tour for a year to meet with selected homeowners, scope out their design challenges, and install solutions in five homes along the East Coast. The resulting makeovers will be shared on Ikea’s YouTube portal and social media. Want in on the fun? Ikea started accepting applications for participation online today. To be considered, shoot a three-minute video showing your space and describing why you need the home makeover, then submit it through the store’s website. The deadline is May 2.
Susan Richards Shreve
The novelist and George Mason University English professor’s home office takes over a former sculpture studio in DC’s Cleveland Park. Shreve’s latest book is You Are the Love of My Life.
We bought a house that belonged to Anne Truitt, the sculptor. It’s a beautiful, large studio with wonderful light, near National Cathedral. And the windows are high—when you look out, you have to be on your tiptoes.
It was a typical studio with a sink and a cement floor that was covered with paint, which we thought was wonderful. But Truitt was much more stoic than I am, and she could stand on cement. We put in hardwood floors and a wraparound desk and turned it into a kind of library.
The author of more than 25 novels, including his latest, King and Maxwell, lives in Vienna.
I have what I call a plotting couch. I have a blanket that years ago a high school in Ohio sent me. The students had read one of my novels, Wish You Well. They all drew scenes from the book on this huge quilt and put their names on it. I’ll sometimes just lie on the couch and look at that blanket and daydream, because that’s really where the plot ideas and the nuances and twists and turns come from. I get away from everything. I lie back, close my eyes, and my mind just goes.
E. Ethelbert Miller
A poet and the director of the Afro-American Studies Resource Center at Howard University, Miller works on the top floor of his house in DC’s Brightwood.
I built a little altar on the window with pictures of my father, my mother, my brother, my aunt, and my grandfather so I have them here with me. Many times in my writing, I’m making references to family.
The author and University of Maryland writing professor lives in Northwest DC. A memoir, I Hate To Leave This Beautiful Place, was published in June.
It has to be quiet, comfortable. Music is important. Writing is about setting up levels of intimacy and familiarity every day—it’s an emotional discipline as well as an aesthetic one. My office is a simple room with not much clutter. There’s nothing really dramatic or perhaps even aesthetically compelling about it; it’s just surrounded by things that strike the deepest emotional chords—pictures of our daughter, paintings, a recent series of photographs that my daughter has taken. When I look at those, I’m inspired. I have a manual typewriter, an old Royal I’ve used for 40 years. I tap away on that, or write on legal pads, then later on put it on a computer.
The author of novels including Charming Billy and Someone is a writing professor at Johns Hopkins. She lives in Bethesda, where she converted a dining room into an office.
I like having lots of natural light, watching the day progress, watching the seasons progress. If you spend many hours sitting in one place absorbed in fictional worlds, it’s nice to have a sense of not only the day going by but the buds appearing or the snow falling—that there’s also this real world out there.
An English professor at the University of Maryland and director of the Bread Loaf Writers’ Conference in Vermont, Collier lives in Catonsville, outside Baltimore, where he writes above a detached garage.
I’ve always liked being up rather than embedded in the middle of the house. My office is more like a perch in some ways, a roost. It allows me to enter my imagination and leave the literal world behind awhile. I need to have certain books in a study—a copy of Shakespeare: The Complete Poems, Thomas Hardy, Yeats. Having them makes me feel comfortable.
Rachel Louise Snyder
Snyder—a writing professor at American University whose first novel, What We’ve Lost Is Nothing, came out in January—writes from a bedroom in DC’s Tenleytown.
I write longhand, so I don’t sit at a desk—I write in a big, comfy suede chair I brought with me from Cambodia. It’s scary to write. There are elements that are terrifying because you’re putting something of yourself out there. Nobody wants to get rejected. Having a soft, safe chair makes me feel like I’m in a protected environment when I’m writing.
Susan Coll is a novelist—The Stager is out this summer—and programs director at Politics and Prose bookstore. Her home office is in the attic of her Cleveland Park house.
I need a clean table to put the computer on. I like everything a little spare, not a lot of clutter. The more I can isolate the work I’m trying to do from everything else going on in my life, the better.
The sportswriter, author, and host of “The John Feinstein Show” on CBS Sports Radio lives in Potomac.
My office has a fireplace. That was the major reason I bought the house—because I loved that I could work in a place with a fire going. I do my show from here. They set me up with a mini-studio, so I sit at my desk and the microphone is right there, and I’m on my computer so they can send me who the callers are. When I get done with the show every day at noon, I’m right here in my house and can go have lunch.
This article appears in the March 2014 issue of Washingtonian.