
“Merahi Metua no Tehamana,” an 1893 portrait of Gauguin’s 13-year-old Tahitian mistress, shows the subject looking inscrutably away, her expression a model in thoughtfulness. Her Western dress is in stark contrast to the nude painting of one of her “savage” ancestors behind her, and she seems almost chastened by it. Gauguin was a master in capturing the nuances of people’s faces—a skill he deployed in another work, “Clovis Asleep,” which pictures his son peacefully slumbering while mysterious dreams hover above his head.
This is the first comprehensive exhibition of Gauguin’s work in the United States in 25 years, and it’s no disappointment. Instead, what we get is a brilliantly complex and detailed look at the artist’s life and work—and an appreciation of his immeasurable talents.
“Gauguin: Maker of Myth” is in the National Gallery of Art’s East Building through June 5.
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