Newsletters

Get Where+When delivered to your inbox every Monday and Thursday.

Theater Review: “One Night With Janis Joplin” at Arena Stage
Performer Mary Bridget Davies packs one mighty punch as the performer in Arena Stage’s production. By Missy Frederick
Mary Bridget Davies in One Night With Janis Joplin. Photograph by Janet Macoska.
Comments () | Published October 5, 2012

Nothing in the world is going to bring back Janis Joplin, but with Mary Bridget Davies at the microphone, pretending doesn’t feel so preposterous.

Davies’s voice is so raw, so powerful, and so eerily similar to the late singer that it brings a sense of authenticity and wonder to One Night With Janis Joplin, the concert-style musical being performed at Arena Stage (co-produced by the Cleveland Playhouse, where the show ran earlier). Director/creator Randy Johnson takes us back to when Joplin was at her performing peak, and Davies literally brings the house to its feet with impassioned takes on both the singer’s classics and other songs dear to her.

One Night is told primarily through music, though we get brief, often poignant glimpses into Joplin’s inner life as she shares autobiographical stories and philosophical asides between numbers. The set list is a hefty one—with 24 songs, the show clocks in at more than two and a half hours, but Davies’s tirelessness keeps this from feeling excessive. She also isn’t shouldering all of the musical burden—she’s flanked by a chill but formidable eight-piece band and three sultry, soulful backup singers.

One Night has another secret weapon in Sabrina Elayne Carten, who portrays all the black musical divas Joplin worshiped. Whether she’s channeling Nina Simone, dominating the stage as Aretha Franklin (“Spirit in the Dark” is an unapologetic showstopper), or merely offering a wistful, achingly beautiful rendition of Porgy and Bess’s “Summertime,” Carten is as exceptional a performer as Davies.

No Joplin classic, from “Me and Bobby McGee” to “Piece of My Heart,” is left out, and Davies makes her way through Joplin’s entire catalogue of hits. Her voice is remarkable not only for its uncanny likeness to Joplin’s, but for its richness, its contrasting coarseness and tenderness. Davies’s stage presence, casual and sexy, transitions from happy-go-lucky and carefree to something more troubled and complex.

The production never gets as dark as one might suspect given the singer’s real-life troubles and ultimate demise, though it foreshadows her inner turmoil. We never see Joplin at rock bottom, but Johnson does paint a portrait of the singer’s contradictions. Davies’s Joplin is simultaneously self-empowered and crushingly lonely; she says no man can provide the high that performing does, but still clearly aches for human companionship and connection. Never is this subtle sadness as apparent as during the show’s vocal climax. “Don’t you leave me all alone, stay with me, baby,” she wails. “I can’t make it on my own, stay with me, baby.” If only we could.

One Night With Janis Joplin runs through November 4 at Arena Stage’s Kreeger Theatre. The show runs about two and a half hours, with one intermission. Tickets ($45 to $94) are available via Arena Stage’s website.

Categories:

Theater Review
Subscribe to Washingtonian

Discuss this story

Feel free to leave a comment or ask a question. The Washingtonian reserves the right to remove or edit content once posted.
  • HS

    If I’d gone to see this “musical” at the 9:30 Club, I would
    have been ecstatic. The music was phenomenal!! Mary Bridget Davis
    has the same intoxicating and gritty voice as Joplin, and Sabrina Elayne Carten’s rendition of Porgy and Bess’ Summertime was
    mesmerizing. But, even with all the great music I left the Arena Theater
    feeling slighted. Janis Joplin was the Icon of the 60’s Sex, Drug and
    Rock and Roll, and to leave ALL of that out of Davis’ monologue was a slap in
    the face to the audience and to Joplin’s legacy. If I were the producers
    and writers, I would go back do a major rewrite. This play has all the
    makings of being a Tony Awards winning musical. Davis is a great actress
    and has captured the true essence of Janice Joplin, but she needs the writers
    help in order for this play to be a success.

  • Mark, Washington DC

    Wait -- It was Alison Cusano as janis on Wednesday 10-31. Great voice, real Janis power.

  • Mark, Washington DC

    Great show by Laura Carbonel as Janis on Wednesday 10-31. Great 60's sounds from the band.

blog comments powered by Disqus

Posted at 12:05 PM/ET, 10/05/2012 RSS | Print | Permalink | Comments () | Washingtonian.com Blogs